Shared ground
The passage introduces Ahaz with the usual royal summary: when he began to reign (dated by Israel’s king), his age, how long he ruled, and that he ruled from Jerusalem (2 Kings 16:1–2 Kings 16:2). The narrator then gives an evaluation: Ahaz “didn’t do what was right” in Yahweh’s eyes, with David used as the benchmark for Judah’s kings.
The text also makes a strong connection between worship practices and loyalty. Ahaz is said to have adopted the pattern associated with “the kings of Israel,” and his reign is marked by two kinds of acts: a “pass through the fire” rite involving “his son,” and widespread sacrifice and incense at many local sites (high places, hills, and under green trees) (2 Kings 16:3–2 Kings 16:4).
Where interpretation differs
What “made his son pass through the fire” means. Many readers take this as a child being killed as part of a sacrifice. Others think the phrase could describe a dangerous but nonlethal ritual meant to secure protection or blessing, even if the author still condemns it as an “abomination.”
How specific “his son” is. The wording could mean one particular child or could function more generally (“one of his sons”). The text itself does not identify which child.
How to read “under every green tree.” Some take it as a literal claim about the scale of Ahaz’s program; others take it as an emphatic way to say the practices were widespread and normal throughout the land.
Why the disagreement exists
The passage uses short, traditional phrases rather than detailed descriptions. That leaves questions about the exact ritual practice (“pass through the fire”), the identity/number of the child (“son”), and whether the language about worship locations is meant to be mathematically exact or rhetorically sweeping.
What this passage clearly contributes
It frames Ahaz’s reign from the start as a deliberate departure from the David standard and as alignment with rejected models (“the kings of Israel” and the prior nations’ practices). It also shows that, for the narrator, political chronology matters (dating by Pekah’s year) but moral and religious assessment matters even more: Ahaz’s defining marks are what he chooses to do in worship and whom he imitates.