The images assume an ancient Near Eastern world where cities represented dense human organization—labor, farming, trade, and controlled animals—while wilderness and salt land represented marginal spaces not easily cultivated. Donkeys were common working animals in settled life, so a “wild donkey” evokes a familiar animal-type that resists use and ownership. The “driver” or taskmaster fits an economy where animals (and often people) were pressed into work by shouted commands. Mountain ranges, deserts, and steppe-like regions were known as grazing zones for hardy animals, shaping the realism of the scene.