Shared ground
Revelation 9:7–11 presents the “locusts” as a terror-force with a military feel. The repeated “like” language signals that John is building an impression through comparisons rather than giving a straightforward natural history report ( occurs again and again). The creatures look battle-ready (horse-like, armored), personally threatening (human-like faces), and violently dangerous (lion-like teeth, scorpion-like stings). They are also loud and numerous, sounding like a mass of chariots rushing into war.
A key explicit claim is limitation. Their power is real, but bounded: the harm they inflict is restricted to “five months.” Another explicit claim is leadership. They are not chaotic or leaderless; they have “over them” a king: “the angel of the abyss,” named in Hebrew and Greek as Abaddon/Apollyon (“Destroyer”).
Where interpretation differs
How “literal” the locusts are. Some read the description as pointing to actual demonic beings that will appear in the end-time, with the “like” language indicating John’s best attempt to describe what he saw. Others read the locusts as a symbolic picture of an organized, oppressive force (spiritual, political, or social) that God permits for a time, with the mixed-animal imagery communicating what it feels like to be attacked by it.
What the five-month period means. Some take “five months” as a specific, fixed duration that will be fulfilled as stated. Others treat it as a bounded season of judgment—long enough to be severe, but clearly temporary—without insisting it must match a literal calendar.
Who Abaddon/Apollyon is. Many take him as a specific evil ruler over the abyss (a personal being) who commands the swarm. Others think the name functions more as a title (“Destroyer”) identifying the character of the power behind the plague, whether or not the text expects readers to connect him to a previously known figure.
Why the disagreement exists
The passage stacks comparisons: “like horses,” “like crowns,” “like human faces,” “like women’s hair,” and more. That style naturally raises the question of whether John is describing literal entities using analogies, or communicating meaning through symbolic imagery. In addition, the text includes both precise-sounding details (five months; a named king) and surreal features (human, animal, and armor blended), which invites different ways of weighing which elements are meant most “as-is.”
What this passage clearly contributes
This scene portrays judgment as frightening but controlled: destructive power is unleashed, yet it operates within limits and under a chain of authority. It also depicts evil as organized: the torment has a “king,” and his very name frames the mission as destruction. Finally, the imagery links the plague to the experience of war—overwhelming noise, armor, crowns—so the “woe” is not only pain but also the dread of an unstoppable invading force (Revelation 9:7–9:11).